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It won’t completely resolve Quicktime Gamma Shift but may make your video look a little better on computer displays because they use a brighter gamma value than what Premiere and televisions use.īut obviously, there’s something weird about video on the Mac. The third option of applying more contrast is a safe middle ground if you want to try and tweak the contrast of your video just a little bit. My advice, use Adobe’s LUT selectively and sparingly. And if and when they do, your past videos will then display correctly.Īlternatively, if you are exporting a video that will be viewed only on a Mac - your display, a client’s display - and not live online for months or years to come, then it makes sense to use Adobe’s Gamma Compensation LUT. They’ve never been afraid of changing things. But this approach is the simplest, and you won’t be optimizing the video for one audience of viewers at the expense of anyone else.Īnd besides, Apple may fix this issue at any time.
Yes, it is annoying seeing your video more washed out on the Mac. If this is what you’re currently doing, then you don’t need to change anything. If you are exporting a video anyone may see at any time on any display, your safest bet is using the exported video from Premiere as-is. But it won’t be as dark as the video you export when using Adobe’s Gamma Compensation LUT. Or, to be more precise, you may apply the ASC CDL color correction effect to the adjustment layer, then set its Red, Green, and Blue Power settings to 1.09.Įither approach will add contrast so when the exported video is viewed on any computer display (including Apple), the video will appear more similar to the color grade you created in Premiere.
On the adjustment layer, use Lumetri color and pull the tone curve down just a little to further darken the shadows. Grade video as you normally would, then at the very end of your workflow, add an adjustment layer on top. Instead, with this option, you slightly increase the contrast of your video timeline in Premiere. Option Three: Add Contrast to Premiere Timeline with an Adjustment LayerĪdobe’s Gamma Compensation LUT adds quite a bit of contrast and will create a video that’s too dark for viewers who aren’t using a Mac. It changes the contrast of your exported video so when viewed in QuickTime, Chrome, Safari, or any color-managed application on the Mac, the video will appear very similar to what you see in Premiere. I’ll explain more about how this LUT works in a minute, but for now, this is a simple LUT you apply on export from Premiere.
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To do this, Adobe offers a free QuickTime Gamma Compensation LUT. Option Two: Export Gamma-Corrected Video for Viewing on a Mac There’s nothing wrong with your video! Yes, it looks washed out on the Mac, and unfortunately other Macs as well, but no one else is not seeing your video that way. You simply use the exported video file from Premiere as is.Īs long as you’re happy with your Premiere color grade, you may rest assured your exported video will appear as expected on the majority of televisions and computer displays out there. I know this probably sounds like a cop-out, but doing nothing is a deliberate choice with its own pros and cons.
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How to Handle QuickTime Gamma ShiftĪt the time of this writing, there are three options to for handling QuickTime Gamma Shift when editing video using Adobe Premiere Pro on a Mac. In fact, it’s been around for years, and affects anyone editing video on a Mac. QuickTime Gamma Shift is anything but a recent problem.
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This is what people commonly call “QuickTime Gamma Shift.” I’m not a professional colorist, but as someone who edits video on Mac, this issue has been driving me nuts. Comparing Premiere timeline (left) to QuickTime macOS Big Sur (right) If you edit video using Adobe Premiere Pro on a Mac, chances are you’ve encountered a problem where exported video looks washed out and desaturated in QuickTime Player, Safari and Chrome compared to what you see on the Premiere timeline.
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